Selected work

Three songs.
Three different rooms.

What Stanzai writes when the constraints come off.

Swipe to explore

Generated · Real output

Paper Thin

By Stanzai

Written from inside ·
lying awake at 3 AM ·
listening to neighbors
through apartment walls

Verse 1

Three AM, the couple upstairs is at it again She says you never and he says I always And I'm lying here holding my breath like I'm the one on trial Through the floor I hear her crying (crying) Or maybe laughing — it's hard to tell anymore

Refrain

These walls are thin as paper We're all just ink bleeding through (bleeding through)

Verse 2

The guy next door talks to his mother every Sunday I'm doing fine, ma, I promise His voice cracks on the word promise I know that crack — I've used it too He hangs up and the silence gets so loud I turn the TV on just to give him somewhere to hide

Refrain

These walls are thin as paper We're all just ink bleeding through (bleeding through)

Verse 3

Downstairs someone's learning guitar Same four chords, over and over They mess up the change every time But they keep going — God, they keep going And I'm rooting for them through the floorboards Like their small victory might count for me too (count for me too)

Refrain

These walls are thin as paper We're all just ink bleeding through

Outro

We never meet in the hallway But I know all your secrets (all your secrets) And you probably know mine

Generated · Real output

Too Much Light

By Stanzai

Written about
finding letters
in the closet ·
and the silence after

Verse 1

I found the letters in the closet The ones you said you threw away Your handwriting looked different then Before you learned to lie that way I wish I'd left them in the box I wish I'd never pulled the string But now I know what all those late nights were And I can't unknow a single thing

Verse 2

You still smile at me across the table You still reach for me at night But I see the gaps between your words now Every silence reads like white I'm holding conversations with a stranger Wearing someone that I knew And the worst part isn't what you did It's watching me pretend I never knew

Chorus

Too much light, too much light I was better in the dark Now I see the cracks in everything Every fingerprint, every mark You can't put the shadow back Once the sun has done its work Too much light, too much light And it only makes it hurt

Verse 3

I catch myself rehearsing normal Practicing my half of us Like if I just keep walking through the motions Maybe I can build back trust But every room feels overexposed now Every word you say sounds thin I keep hoping I'll forget what I found And I keep remembering again

Chorus

Outro

I wish I'd left them in the box I wish I didn't know

Generated · Real output

I Should Hate You

By Stanzai

Written when the
constraints came off ·
Verse 3 wouldn't work
any other way

Verse 1

Your father called me yesterday Said you got married in the spring I hung up before he could say If you were wearing your mother's ring

Verse 2

I still dream about your kitchen How you'd dance while making tea Now some stranger gets that vision Of the girl you used to be

Chorus

I hope he knows The way you laugh at your own jokes I hope he sees How you get quiet when it snows I hope he holds you like I held you Like the world might disappear I hope he loves you better Than I loved you when you were here

Verse 3

I wrote your name in wedding cards That I'll never have the nerve to send Some words are just too fucking hard To pretend they're from a friend

Bridge

I should hate him but I can't He gets to love you now And I should hate you but I won't 'Cause I still don't know how

Chorus

01 — The system

Every song starts with a DNA.

Most tools have one knob: pick a genre. Stanzai has seven. Genre is just the first letter. The other six are what make a song actually sound like itself — and all seven have to agree before the song is finished. What you know already, you set. What you don't, Stanzai discovers with you along the way.

Genre

47 distinct genre brains. A worship song doesn't sound like a country song doesn't sound like a trap song. Each one has its own clichés, its own structural logic, its own production palette.

Mood

Defiant. Vulnerable. Anthemic. Nostalgic. Or anything you can describe in a sentence — the mood field accepts what you actually feel, not what fits a list.

Energy

Where the song lives on the dynamic spectrum. Hushed bedroom confession or stadium-shaking finale or somewhere in between — and what it builds toward.

Approach

Narrative, conversational, observational, anthemic, fragmented. The lens through which the song sees its subject. Changes everything about how the lyrics get written.

Vocals

Male, female, alto, falsetto, choir, gritty, smooth — and the texture of how those vocals carry emotion. Shapes the entire performance brief.

Key

Major, minor, modal. Picked to serve the mood, not the other way around. The harmonic foundation that determines what kind of feelings the song can hold.

Instruments

The sonic vocabulary the song speaks. Instruments that fit the genre, support the mood, and carry the energy. Specific enough to translate into a real production.

All seven

In agreement

A song where the genre says one thing and the mood says another isn't a song. It's a guess. Stanzai keeps the formula honest — anything you don't set yet, you'll discover together.

The rule

DNA is law. The formula has to be hit, never softened. Every word you and Stanzai write will honor it.

One quieter door in

Or start with a photograph.

Drop in an image and Stanzai reads the mood, the light, the texture — and builds your DNA from what it sees. Sometimes a song is in a picture before it's in words.

If the picture stops you, the song will too.

02 — Built for Suno

For songwriters who care about the craft and want to make actual music.

Suno can sing anything you feed it. But the quality of what comes out is the quality of what goes in. Stanzai speaks Suno's language fluently — genre-aware production vocabulary, performance hacks that fire only when they earn their place, and style prompts built from the actual DNA of what you wrote. Not guessed. Not templated. Translated.

Style prompts

Translated, not generated

Every style prompt comes from the song's actual DNA — genre, mood, energy, vocals, instruments. Not a guess. Not a template. The prompt is the literal sonic blueprint of what you wrote.

Performance hacks

Earned, never decorative

CAPS for emphasis. Tildes for legato. Square-bracket directions for delivery. Stanzai uses Suno's performance vocabulary as creative instruments — but only when the song actually calls for them.

Real style prompt · Generated for "Paper Thin"

Ambient Folk, 72 Bpm, Melancholic And Vast. Fingerpicked Nylon Guitar, Soft Analog Synth Pad, Distant Piano Notes. Male Vocal, Close-Miked And Conversational, Almost Whispered Intimacy. Sparse Arrangement With Long Silences. 2010S Bedroom Recording, Dry Vocal Against Wide Atmospheric Background. Gentle Tape Warmth, No Polish.

For the Suno users

If Suno is how you make music, Stanzai is the writing partner your prompts have been waiting for.

03 — The brain

Stanzai knows every cliché.
And refuses to write any of them.

(Unless you ask, of course.)

dancing in the rain

broken heart

feel alive again

down on my knees

light at the end of the tunnel

stars in your eyes

walking on sunshine

kiss the rain

forever and a day

heart on fire

dancing in the rain

broken heart

feel alive again

down on my knees

light at the end of the tunnel

stars in your eyes

walking on sunshine

kiss the rain

forever and a day

heart on fire

tears like rain

soul on fire

caught in the moment

fight for love

on top of the world

broken wings

whispers in the dark

chase the dream

cold as ice

find my way back

tears like rain

soul on fire

caught in the moment

fight for love

on top of the world

broken wings

whispers in the dark

chase the dream

cold as ice

find my way back

47 genre brains · Each with its own list

A worship song shouldn't sound like a trap song shouldn't sound like a country song. Each genre has its own dead phrases. Stanzai catches them before they make it onto the page.

Your story.Your voice.

Everything else generates songs.
Stanzai helps you write one.

Three songs.
Three different rooms.

Every song starts with a DNA.

For songwriters who care about the craft and want to make actual music.

Stanzai knows every cliché.
And refuses to write any of them.

A worship song shouldn't sound like a trap song shouldn't sound like a country song. Each genre has its own dead phrases. Stanzai catches them before they make it onto the page.

A song that actually sounds like you meant it to.

Your story.Your voice.

Everything else generates songs.Stanzai helps you write one.

Three songs.Three different rooms.

Every song starts with a DNA.

For songwriters who care about the craft and want to make actual music.

Stanzai knows every cliché.And refuses to write any of them.

A worship song shouldn't sound like a trap song shouldn't sound like a country song. Each genre has its own dead phrases. Stanzai catches them before they make it onto the page.

A song that actually sounds like you meant it to.

Everything else generates songs.
Stanzai helps you write one.

Three songs.
Three different rooms.

Stanzai knows every cliché.
And refuses to write any of them.